Current Work: 2007 Splash Pic


The Anguish of Rama


"Please be patient. Due to the high content of graphics some pages make take a minute to download. If an image does not register (you will see a box with a red ‘x’), click the refresh bottom on the menu bar. "



Jane Chen


          The person responsible for my journey to Asia was a remarkable woman by the name of Jane Chen. Ma-------s.

           W------s!

           To do----t.

           On----t. My e-mail address is in the ‘contact’ page. Cheers everyone! –John Rivera-Resto, January 2010.



Summer 2008 - Indonesia


           N--------pe.



T------o.

           N-----e.

           M----ld.

BINUS University


           Uni---------------Universitas Bina Nunsantara------------els.

           I --------------es.



It---------g?


           Th------------me.

           Am-------------orks.

           I m-----------rare.


(Fig. 2)   Con------------y.

           If ------------ence!

           Th---------------tures.

           Bu----------ns.

A -----uiry


           On ------red.


           Be------see.



(Fig. 2)   Con------------y.


           In -----------d.

           After--------- go.



(Fig. 3)   C--------------ay. (Fig. 4)    Hall----------------cellar.


           The------------- in 3D.

           After --------------bilities.

           I fel------------mission.

Th-------tate


           I h-------tate.



(Fig. 5)   T------st. (Fig. 6)    A m----------ring.


          We-----uled.

          The ----ar II.

           The----Ohio.

           I l-----rkmen.

M-----tein


          After i-------sign.



(Fig. 7)    Desig------ line. (Fig. 8)    Worki-----ge.


           From-----esign.

           I proceeded----eration.



(Fig. 9)    Pr------vering. (Fig. 10)    Cin-----ons.


           Norm-----t so.

(Fig. 9)    Pr------vering. (Fig. 10)    Cin-----ons.



           I retur-----ook my cue.



(Fig. 11)   Ba------e room.


           I moved i------s that.

           Befo----- drywall?



(Fig. 12)    My pai-------ours.

The-----gns


           Back-----mural.

           It is -----eart.



(Fig. 13)   Wor-----ctions. (Fig. 14)   Paint-----arest".


           In my mi----ead (see fig. 1).

           No-----rience.

          A frequ----ubject is.
           Wit----quested.

           The----ouch.

           For th-----pproved.



(Fig. 15)   J-----snacks. (Fig. 16)   Det----eyard.


           Natura---- the job.

 
           Sometim----ed differently.

           But I c----n this.



(Fig. 17)   Landsc-----er. (Fig. 18)   Frenc----nner.


           By n------etch!

Set-----op


           The cost -----lled).

           It was-------times.

           And ------ients.



(Fig. 19)   Ba-----and sky. (Fig. 20)   Bas-----y is completed.


           My-----------.

           Wi-------------- (see fig. 15).

           My -----------------break the monotony).


(Fig. 19)   Ba-----and sky. (Fig. 20)   Bas-----y is completed.


           The---------------effort.

           Fina---------------nomical.

           My daily ------------le is my favourite).

Preparing the wall





(Fig. 34) Turning a symmetrical design to an asymmetrical one.


           The-----t).

           Atta----ma”.


(Fig. 34) Turning a symmetrical design to an asymmetrical one.


"Do-----e!"


           I comple-----alance.

           Though-----taste".

           Still------lar.






HOMEPAGE | ARTIST | MURALS | PAINTINGS | CRITICS | INTERVIEW | CURRENT | WRITINGS | DESIGN | YOUR QUESTIONS | CONTACT & LINKS | STORE